autoreply offshoot stuga musik picks up where it left off with another three tracks of deadly effective, club-friendly madness. having held a residency at berlins legendary bar 25 club and recording for high calibre labels such as district of corruption, thema and little helpers, the arrival of beaner to the stuga family is something to be celebrated. he serves up miles then mccoy, a nine minute epic that effortlessly fuses tight linear drum programming with freeform sound design and loose instrumentals that thunder along towards an exciting clima

*thonk*.... in drops a new nebraska album! 8 excellent house tracks. tip!over the past two years nebraska has released four eps for rush hour. this is now being followed up by his first album for the label. nine months after his >four for four< ep, we give you >displacement<

feelharmonic proudly presents boris hotton with his ep >arctica<. inspired by the notion of a natural and stress-free existence, >arctica (part 1)< is a spacey and subtle groover, while >arctica (part 2)< takes an even more chilled and near-ambient approach. on the remix tip manchesters finest, the irrepressible moodymanc, flips the script and pushes the tempo turning >arctica (part 1)< into a nine-minute epic.

in addition to the >best of ambient< compilation from john beltran, two remixes are made to honour one of our favourite electronic music producers of all time. the a-side gives us a reinterpretation of >brilliant flood< from rising star kassem mosse together with his studiomate mix mup. this remix smoothly pimps up the track whilst leaving the atmosphere of the original intact. on the b-side, sven weisemann made a composition as a tribute to john beltran, which contains elements of different original cuts. the result is svens glorify tribute mix, a dreamy epic adventurous nine-minute masterpiece in three parts

meine zarten pfoten ( my tender paws ) is the eagerly-awaited album by lady ada that everybody s been longing to get a hold of for so long. her second album after debut blondie truly is a revelation. ada has successfully cast off that four-to-the-floor yoke and has recorded songs that go way beyond all our well-known categories, hovering above everything in a state of serene disengagement. it s certainly ppp in its broadest sense, but ultimately it s a work of music that radiates such an amazing warmth and tranquility that it will even sedate the biggest nervous wreck into a state of subtle receptiveness. this record is your friend. it s a shining light of beauty, glowing from the inside. humans have feelings. and it s only the noblest of feelings that these nine songs arouse. after listening to them you’re left with a slightly sheepish smile on your face. and then you press play again

vinyl edition to the fania release! stock will be very limited!the project is a marriage between old and new,a fresh take on classic sounds from the fania archives.late last year, fania records hand-delivered the original multi-tracks in a battered cardboard box to joe claussells nyc studio.each track was approached and assembled differently, each on its own terms. as joe says,some songs were edited,some were time-stretched many parts were re-recorded some new parts were recorded on top.the first disc features nine classic fania tunes from lou perez, celia cruz,eddie palmieri, ray barretto and more,all re-worked with the joe claussell touch!

**hand-stamped white label, limited edition of 400** four effluvial techno and industrial bass weight remakes of tracks from cloaks debut lp by ancient methods, justin broadrick, oyaarss, and legion of two. >versus grain< was one of the darkest transmissions we caught in 2009, whose rotten and rusted fruits provide brilliantly raw material for the remixes. its worth the cost of entry alone for ancient methods nine-minute viking ruffige remix of >r.f.i.d, the kind of northern european tribal funk workout that makes folk dance like they mean it. on a more crushed and crushing tip, legion of two dole out scorn-strength percussion and muscle tearing bass torsion on a remake of >against<, while oyaarss dismantle >sixmenace two< and rebuild it as frankensteinian dancefloor monster. to polish off the foolhardy few still standing, justin broadrick (jesu, godflesh) detonates >rust on metal< with bombastic halfstep force, giving a bitter taste of what to expect from his 3by3 album, due out next year. heavyweight.

schöne remix compilation (3x12 inch) mit housigem touch

the release of the fourth studio album from revered production duo booka shade last year was greeted with widespread praise from fans and press . imbued with not only an uncanny understanding of the dancefloor, but a sense of true musicianship, >more!< transcends contemporary club music, placing itself amongst a lineage of classic records. following the great success of previous single >regenerate<, the fourth and final single to be taken from the album is the scaramanga remix ep. one of the albums standout tracks, scramanga is reinvented by the duo themelves, as well an impressive host of remixers who twist and contort it into myriad shapes, each harnessing different facets of the original and shining a new light on them with their new visions. booka shade take on >scaramanga< themselves with their >manga mix<, re-appropriating the poignant and hypnotic foundations of the original to craft a nuanced and uplifting dancefloor hit. carried forward by the symbiotic interplay of the drums and bass, rhythmic chord progressions surge through the tracks core, unfurling beautifully. the vinyl package also features versions from uk-based producer reset robot and italian wunderkind dusty kid. reset robot pierces the vocal film with filtered synth stabs, giving the track an urgent propulsion which is bouyed by the swelling bass, while dusty kid strips away the layers to reveal a melancholic core, stretching it out over the ebb and flow of its nine minute duration

with no rest for the wicked, label exclusive artist ladzinski is back for 2011 with a solo ep jammed pack full of up front house tracks.just like that is boes most dance floor focused ep in a while with jacking 808 drum rhythms, soaring pads and plenty of hands in the air moments. all night is a true groove-a-thon that hardly lets the beat go during its nine-minute length. its a more conventional sound pushing towards tech house territory but the classic 808 drums and bouncy syncopated chords give it a fresh breath of chicago deepness..

vol. nine with more deep house / funkin house business.... >another thing< is a deep mover with r&b vocals, >little bit more< is a hip house monster in classic chicago vein...

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

>down there< is a world of nine new songs from animal collectives avey tare. his first official solo full length carries you through a murky world of sound, an alien death world of soul grooves that is both honest and otherworldly. wait for sundown and turn it up loud. take a ride on this haunted boat and let yourself be guided through deep sloshy rhythms, waterlogged bass, and moonlit breaks in the canopy that reveal a crisp crystalline pop buzz. >down there< was recorded in the month of june by old friend josh dibb (deakin) at the good house, an old church in upstate new york, surrounded by the great swamp and visited regularly by monks, white widows, and groan toads.
code for free digital download included.

incl. florian meindl & max cooper rmx... hammered on beats in space by tim sweeney! hot on the heels of remixing royksopp, dapayk & padberg, juan maclean, crimea x florian meindl has been asked to remix hot chips massive >i feel better<. the result is a nine-minute floor-rocking sonic slayer with huge breaks and deep, meindl-style bass. it received massive ibiza support by the hot chip djs and has been rinsed by florian, to great response worldwide. it is now available on a special flash 500-run limited edition vinyl, boasting an additional hot max cooper remix

vinyl only 4 track release, taken from the forthcoming album >breakdown<, featuring remixes by seiji, klic, warrior one and evil nine.

new kanada presents a collection of superbly deep and tight emo house tracks by seuil. all three cuts here are made for the long mix, blending elements of classic house, deep techno and random dopeness into a very modern whole. >nine clouds< is a classic slow-acid burner with a long broken intro that unfolds into deep space. 93 hardcore meets global communication. >blank love< is a hazy delicate jacker with long noise echoes, an elastic lead and dripping steel drums … >lonely place< is drifting so far out, its almost gone … sublime and mellow, old and new … serious 10am vibe on this one.

oh! there is one more 12 inch release in the vibes series! the fifth and last ep features 3 tracks by new recording artists from detroit. first up is mark king who gives us an emotive, deep vocal work-out that lasts close to nine minutes… just how we like it, pure soul! on the b-side there is detroiter dj raybone, who teams up with tj as well as rick wilhite for two more deep detroit late night house tracks. what a nice way to finish of this series. deep detroit deep! the b-side tracks are exclusive to this 12inch and wont be on the cd release

oh! there is one more 12 inch release in the vibes series! the fifth and last ep features 3 tracks by new recording artists from detroit. first up is mark king who gives us an emotive, deep vocal work-out that lasts close to nine minutes… just how we like it, pure soul! on the b-side there is detroiter dj raybone, who teams up with tj as well as rick wilhite for two more deep detroit late night house tracks. what a nice way to finish of this series. deep detroit deep! the b-side tracks are exclusive to this 12inch and wont be on the cd release

nice price deal !!! andnotors fourth vinyl release sees rubadubs very own line idle laying down a hefty techno workout, which combines analogue crispness with distorted synths and a brooding vocal for maximum dancefloor devastation. mixing land cruising-era melodic bounce with a dirty electronic throb, tense slowly builds to a crescendo as the vocals rise up through the mix until the hook kicks in and it all gets messy. on the flipside, nu42Æs acid remix does exactly what it says on the tin, arpeggiating the synths, adding a healthy dose of squelch and fracturing the vocals to make a much more grinding long-player. whilst the original is a peak-time techno beast, the flip is pure warehouse material, nine-minutes of slowly-evolving drops and breakdowns designed for an early hours of the morning after-party. tense is andnotors fourth vinyl, after limited-edition releases from cledus snow, tj kong and aleksandr jurczyk, and each copy comes individually hand-stencilled. previous releases have gained them a substantial following from djs like tom middleton, kenny larkin, mark bell (lfo), mark moore (s express) and erwin van moll.

the time has come for disco trash music to rule the world!
the guys are back on absolut freak records (after their famous remix of play paul on the af16) with the summer hit >bumper cars< featuring the south african mcs spoek (well-known for his works with djedjotronic, stereoheroes, evil nine or chris de luca) and big space on vocals. the vinyl ep contains a massive remix by the french sensation just a band (aka tom deluxx & romain grenier), a tropical bass version by the rulers of the genre schlachthofbronx (winning success on disko b and man recordings), an electrifying remix by the german wunderkind from dim mak dirty disco youth and another powerful track by disco trash music called >lets play drinking games<.
supported by john lord fonda, andre dalcan, lady b, stereoheroes, cyberpunkers markus lange, mustard pimp, xinobi, boxon records, edu k, pro7, shockers

h-productions has cultivated a reputation over the last two decades for consistently delivering cutting edge material across a diverse range of styles.
the titling for the second single taken from cari lekebuschs forthcoming album >state of the art<, continues in the horror tinged theme opening with the epic >bodysnatcher<, a nine and a half minute odyssey into the outer realms of rolling, glitchy techno. tight percussion and deep end bass set the tone for a fervent mix of resonant and modulated riffs and fx, exquisitely produced and deftly mixed this is another great example of lekebusch at his best.
the flipside of this release brings us the excellent >shivering<, a heady blend of oscillating bass and relentless synth lines over minimal drum patterns that has you hooked from the off. this is a big record that is bound to find favour with techno jocks and house djs alike with its perfect balance of dark and light.

20 % deal

something number 12 is a double album from stephan laubner featuring nine tracks and 4 bonus loops, residing somewhere between deep cranky scientifics and crazy shaking groove and listening experimatations. some tracks will make you dance and probably go nuts on the floor, while others excites your senses with a special irresistible attractive beauty.

volume back in stock!! hurry to get your copy...

big with slam, mendo, boris werner, johnny d, butch !! after nine successful releases suchtreflex continues 2010 with a drifty and hypnotic techhouse stormer by german youngster and bouq-artist sebastian lutz - one of the most exciting new talents right now! for the rangpur remixes we invited some our favorite artists, chris wood and adam port & sante. an outstanding remix package!

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

argys edit of manuel göttschings >sunrain< finally out on vinyl only and officially approved by the original master composer himself. three more mysterious cuts included, ranging from deep spiritual percussive house to disco and detroit. limited edition of only 500 copies.

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

what better way to get aquatinted with this great artist,than by listening to this dance floor monster in disguise.nima gorji, a man of the world, son of a travelling musicianfrom teheran, is an exceptional musician on his own. hiselectronic meets organic productions reflect the versatilecultural influences he was exposed to as a kid and afterfleeing his homeland, moving throughout the europe untilfinally settling on the white isle. his premiere release onkanzyanis label is a unique mishmash of deep house andeastern ethnic sounds, which perfectly reflect theunderground vibe, dominating the ibiza in the summer oftwo-o-nine.

as a point of no return is referred in different contexts the date from which a return to the starting point is no longer possible. johnny ds oslo 014 confirms this with a truly musical climax. johnny d. presents after his hit >orbitalife< last year >point of no return<- a house track, which again emphasise the special feeling of that producer to tremble the dancefloor. here re playful vocals and a sexy groove on the program. also gardaness on the b side is a title not to be sneezed at. the nearly nine- minute tool is characterized by the impulsive bass line, which is highlighted by atmospheric vocals.

the 2nd release of this fine new label ann aimee marks the return of londoner simon walley aka cim! cim built up a big profile with releases for respected labels as delsin and de:focus, including his impressive >reference< album. this noki bay ep is his first full release after more than 2.5 years!! this ep brings nine tracks in his trademark style, warm subtle electronics with a little touch of detroit.

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

hot property the streetlife djs return with a mighty 5 track ep on there very own streetbeats label.remixes come from 10 rapid who has many dj fans inc evil nine / groove armada / plump djs / dj hyper / james zabiela. germanys dirty disco youth who has remixes out on gulp and his own ep coming on street beats.quotes from those in the know:dj mag æthe uks very own 2 many djs mixmag æproably the most exciting dj duo to emerge for sometimepete tong æif you think soulwax meets sasha meets coldcut your in the right area.

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

beeing together in the studio for a while - here s the results: take me to mabayi features a nine minute ecstating ride - accentuated by a pulsating, hypnotic, rhythmic and gradually building melody and compelling breakdown. 100% sure with ricardo villalobos, loco dice, mathias kaden. la trutruka - golden version combine emotive slackin house beats with synthesizer washes and constant, rolling rhythmic underlay, straight and right down to the last detail with the la trutruka riff - for those who knows and some vocal samples. these are three small dissertations that connect rhythm based house-paced hills with modern dance music and experiments with synthetic song structures

he s the man of the moment. james nidecker, rising star of the dutch technoscene, is always sure to raise an eyebrow or two. not only his djsets, where the amsterdam based artist is often getting the crowds wild with his dark gothpunklike outfits, but also his recent productions can be called mindblowing. nidecker perfectly knows how to combine his dark vocals with uplifting beats, combining influences from electro and minimal techno. s.t.a.l.k.e.r is the culmination of his talents, a hit record already wandering around the dutch clubscene for a while, now finally released on alexander koning s upstruct imprint.
the aside of this release provides a more than outstanding remix from dave ellesmere. renowned for his collaboration with producer 2000 and one under their name microfunk, but nowadays also reaching international fame under his own guise, ellesmere turns s.t.a.l.k.e.r into an ideal dj tool. with a length close to nine minutes, his mix slowly takes the funk of nidecker s rhythms to an upwinding, more techhouse based floorburner.
the other side of this ep is more about the clubs, with dutch dj producer georgio schultz and alexander koning together transforming s.t.a.l.k.e.r into a housetrack like there s no other. here, the unique vocals of nidecker are combined with more melodic, sometimes crazy sounds, always keeping the original flow of the track alive, but taking the best parts of this clubhit to a next level.

plays by:shlomi aber, alexander koning, karotte, shinedoe, namito, dubfire, raresh, ellen allien, bart skils, gel abril, laurent garnier, anderson noise, nuno dos santos etc

the first release from freelands new album cope is available now! filled with paranoiac, satirical wordplay and skewed political commentary that complements the futuristic yet dissident sonics, under control ultimately proves that rarity in club music: an anti anthem with a brain, yet with beats ballsy enough to crush dancefloors in a neighborhood club near you. mixes by alex metric, golden bug and evil nine!!

rmxs by tomcraft, carl ryden and dj nibc supported by: david vendetta, john course, stonebridge, groove armada, taho, stu hirst, the cuban brothers, mad mark, luke walker, justin harris, john jones, the glass, the scumfrog, moguai, evil nine & many more...

hard, harder, deadly sins! the year 2009 starts with a hardtechno firework! nine has been passed now, which are supported by hardtechno-heroes like robert natus, boris s., marco remus, kaoz and many more. this is the chapter 10 with 4 kickin hard-techno tunes. go and get it!

common paul bailey techno 4 tracker

the first release on this new label is from gatto fritto who has released records on dissident and electric minds and recently remixed subway on souljazz. the a side hex is a nine minute, mid tempo, atmospheric, bearded disco trip taking in falsetto vocals, straight to video synths, acoustic guitars and the budget, analog death rattle of a vintage siel cruise. the bmside beachy head is a teutontastic tribute to the uks favourite suicide spot. a 3/4 krauty synth builder that spills into layered waves of guitars and unforgiving rocks of heavy analog bass...think klaus schulze and steve reich rolling off a cliff in 1983 datsun cherry.

nice price deal !!! if youve been lucky enough to catch any of deadmau5 sell out shows this summer then you will know this one. bsod, the amazing pairing of deadmau5 & steve duda (long term producer of nine inch nails, a perfect circle and many, many more!) return with one of the biggest tracks from deadmau5s world tour – milton…

played by matthias tanzmann, loco dice, ricardo villalobos, matt john, matthias tanzmann,. the iranian nima gorji presents a deep and driving nine minute house track, called >i got something<. with its special dynamics, intelligent arrangement and its special atmosphere its a hypnotizing dj tool. on the flip side einzelkind aka miguel ayala and arno völker are deconstructing the atmosphere of their track >el piannuccho< and create a sound pattern, that with every running minute creates more tension by slowly building up until the peak. modern house, as we like it

its not hard to tell that barems been kicking back and enjoying the summer, soaking up the sunshine vibes and pouring new found inspiration into these three new tracks. the result is a breath-taking departure from his previous releases that demonstrates an unexpected mastery of the classic house sound. the first surprise is that each track stretches out to around the nine-minute mark with barem adopting a more patient, relaxed approach to his arrangements. the resulting laidback grooves - loopy, organic and sexy in turn - effortlessly seduce the crowd, marking a definite evolution in his sound and adding a welcome new string to his bow

tim davison delivers his new side project quartech, and the monstrous >cats cradle< in all its main room glory. with its lush strings, driving bassline and trademark percussion, this is a gem to rock the dancefloor. featuring two remixes from infusions jamie stevens, who has been making waves of late with his superb remixes. jamie opts for a driving techno orientated reinterpretation, wih his nine live mix utilising the full strings in the original and his tech dub taking things dirty, deep and slamming

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

great 4-tracker on techment feat 2 original trax from marco g plus remixes from axel karakasis, label boss vortechtral and peppelino

eversince marko nastic started out with his label recon warriors he has attracted the finest names in the scene for his releases. dejan milicevic is one of those artists, previously responsible for the sixth release on this imprint. now he takes on release number nine, last thing she said was f--k me the impressive work dejan delivered for labels like shadowfax, abyss records and syndikaat records over the past few years is continued by this release. this is techno !!!

detroit underground returns for their much anticipated ninth edition of their now legendary compilation series. featuring some of the label s biggest artists, namely funkstorung, richard devine and jimmy edgar, the ninth edition sees the label return to its more experimental roots after a successful, albeit brief foray into a more hip-hop and club-oriented music in the series seventh and eighth editions. while number nine, still puts you on the dance-floor, the release s forays into idm, acid and experimental sounds recall earlier du records and further detroit underground s reputation as a label that is not afraid to take chances